"Es ist der verstörendste und beunruhigendste Serienkiller-Thriller seit Das Schweigen der Lämmer. Dabei basiert Sieben auf einer Idee, die ebenso schaurig wie genial ist: Ein von den sieben Todsünden der Bibel besessener Serienkiller sucht sich ausschließlich solche Menschen als Opfer aus, die seiner Ansicht nach eine dieser Todsünden begangen haben. Er arrangiert jeden Tatort mit großer Akribie und erzeugt am Ort seiner Verbrechen grot ..."
"In a time when it seems that every other movie makes some claim to being a film noir, L.A. Confidential is the real thing--a gritty, sordid tale of sex, scandal, betrayal, and corruption of all sorts (police, political, press--and, of course, very personal) in 1940s Hollywood. The Oscar-winning screenplay is actually based on several titles in James Ellroy's series of chronological thriller novels (including the title volume, The Big No ..."
"In a time when it seems that every other movie makes some claim to being a film noir, L.A. Confidential is the real thing--a gritty, sordid tale of sex, scandal, betrayal, and corruption of all sorts (police, political, press--and, of course, very personal) in 1940s Hollywood. The Oscar-winning screenplay is actually based on several titles in James Ellroy's series of chronological thriller novels (including the title volume, The Big No ..."
"Es ist der verstörendste und beunruhigendste Serienkiller-Thriller seit Das Schweigen der Lämmer. Dabei basiert Sieben auf einer Idee, die ebenso schaurig wie genial ist: Ein von den sieben Todsünden der Bibel besessener Serienkiller sucht sich ausschließlich solche Menschen als Opfer aus, die seiner Ansicht nach eine dieser Todsünden begangen haben. Er arrangiert jeden Tatort mit großer Akribie und erzeugt am Ort seiner Verbrechen grot ..."
"Es ist der verstörendste und beunruhigendste Serienkiller-Thriller seit Das Schweigen der Lämmer. Dabei basiert Sieben auf einer Idee, die ebenso schaurig wie genial ist: Ein von den sieben Todsünden der Bibel besessener Serienkiller sucht sich ausschließlich solche Menschen als Opfer aus, die seiner Ansicht nach eine dieser Todsünden begangen haben. Er arrangiert jeden Tatort mit großer Akribie und erzeugt am Ort seiner Verbrechen grot ..."
"DADDY DAY CARE is the hilarious comedy about kids ruling the roost! When ad execs Charlie (Dr. Dolittle's Eddie Murphy) and Phil (TV's "Curb Your Enthusiasm's" Jeff Garlin) lose their jobs trying to sell a veggie-flavored breakfast cereal, their wives head off to work. But when they realize they can't afford to keep their kids at the fancy Chapman Academy run by the evil Miss Harridan (The AddamsFamily's Anjelica Huston), Charlie and Ph ..."
"Hollywoods wunderbarste Haudegen Jack Lemmon und Walter Matthau sind endlich wieder zusammen. In dieser bissig-giftigen Komödie spielen die beiden zwei brummige alte Männer, die durch eine attraktive Lady in den dritten Frühling kommen. Unermüdlich überbieten sich die beiden Kampfhähne mit ihrer hoffnungslos-komischen Balzerei."
"From producer John Carpenter comes the all-new retelling of his terror classic, THE FOG. Tom Welling (TV's "Smallville"), Maggie Grace (TV's "Lost") and Selma Blair (Hellboy) star in this senses-shattering tale of demonic retribution, directed by Rupert Wainwright (Stigmata) and written by Cooper Layne. Trapped within an eerie mist, the residents of Antonio Bay have become the unwitting victims of a horrifying vengeance. One hundred ..."
"Thirteen-year-old Jenna (Shana Dowdeswell) has had enough with the trials of adolescence. In addition to being saddled with a devoted-but-nerdy best friend, Matt (Sean Marquette), she falls victim to one of the dangers of playing Seven Minutes in Heaven with the coolest kids in school: being stranded without a willing make-out partner. Humiliated, Jenna buries herself in the aforementioned make-out closet, wishing she could skip the who ..."
"Ice Cube has turned his frown upside down with the family-friendly screwball road movie "Are We There Yet?" We know the actor/rapper can use his trademark scowl to be funny (the "Friday" and "Barbershop" series), or to be mean ("Boyz in the Hood")--but can he use it to melt kids' hearts? That's the question "Are We There Yet?" answers with a resounding yes for youngsters in the audience (which will be the lions' share), but it'll probab ..."
"A purposely outlandish cartoon created in 1953, Harvey Comics hero Richie Rich finally came to the big screen in 1994, when a boy billionaire was not quite as fanciful an idea. Richie Rich (Macaulay Culkin) is the wealthiest boy in the world, but even though he loves his doting parents, Richard (Edward Herrmann) and Regina (Christine Ebersole), he's not happy. Richie wants to play baseball with some neighborhood kids, but his parents in ..."
"Jennifer Garner (Daredevil, TV's "Alias") and Mark Ruffalo (Eternal Sunshine of the Spotless Mind) star in this hilarious flash-forward romance about a pre-teen girl who goes from geek to glamorous.With the help of some magic wishing dust, 13 year-old Jenna Rink (Garner) becomes 30 and gorgeous overnight, with everything she ever wanted, except for her best friend Matt (Ruffalo). Now, this grown woman must create some magic of her own ..."
"Chevy Chase and Darryl Hannah star in and John (Halloween) Carpenter directs a lighthearted adventure: a Wall Street analyst becomes invisible after a lab accident, leading to complications both comic and romantic. Year: 1992 Director: John Carpenter Starring: Chevy Chase, Daryl Hannah, Sam Neill"
"Matthew Perry is a gifted comic actor whose style works nicely on TV but somehow hasn't translated into movie success. To change the formula a bit, Serving Sara puts Perry in a slightly scruffier mode, and pairs him with an actress whose sexiness and comic aplomb should be a good counterpart to his wonderfully shticky style: Elizabeth Hurley. And it still doesn't work. This one is set in the exciting world of process-serving, where ..."
"There are some good laughs to be found in Daddy Day Care, especially if you're a preschooler with energy to burn. This romper-room comedy shamelessly exploits its high concept idea--dropping Eddie Murphy into a seething den of rugrats--but kids will have plenty of vicarious fun as Murphy and his fellow laid-off colleague (Jeff Garlin) battle unemployment by opening a day-care center in Eddie's home. In partial Witches mode, Anjelica Hus ..."